The Reeler


--Brooklyn International Film Festival
--Human Rights Watch International Film Festival
--Media That Matters Festival
--NewFest LGBT Film Festival
--Rooftop Films
--Swiss American Film Festival


--Japan Cuts: Festival of New Japanese Films
--NY African Film Festival
--NY Asian Film Festival
--NY Asian American Film Festival
--NY International Latino Film Festival
--Reel Venus Film Festival
--Rooftop Films
--Rural Route Film Festival
--Scanners: The NY Video Festival


--ACE Film Festival
--Central Park Film Festival
--LaCinemaFe Film Festival
--NY Korean Film Festival
--Rooftop Films


--Coney Island Film Festival
--Impact Festival
--IFP Market/Independent Film Week
--NY Brazilian Film Festival
--NYC Midnight Movie Making Madness
--Next Reel International Film Festival


--CMJ FilmFest
--E.Vil City Film Festival
--Fordham Law Film Festival
--Hamptons International Film Festival
--Harlem International Film Festival
--NY Film Festival
--NY Bad Films Festival
--NYC Horror Film Festival
--NY Turkish Film Festival
--Pordenone Silent Film Festival Weekend at BAM
--Russian Film Week
--South Asian International Film Festival
--Woodstock Film Festival


--African Diaspora Film Festival
--Avignon New York Film Festival
--Indo-American Arts Council Film Festival
-- International Dog Film Festival
--Margaret Mead Film & Video Festival
--Native American Film + Video Festival
--NY International Independent Film and Video Festival
--NY Lesbian & Gay Experimental Film Festival
--Queens International Film Festival


--Explorers Club Documentary Film Festival
--NY Jewish Film Festival


--NY Arab and South Asian Film Festival
--Red Shift Festival
--SinCine Fest


--Craic Film Fleadh
--Fusion Film Festival
--Harlem Stage on Screen
--Independent Thai Film Festival
--New Directors/New Films
--NY International Children's Film Festival
--NY Underground Film Festival
--Westchester Film Festival


--Brooklyn Underground Film Festival
--Gen Art Film Festival
--Havana Film Festival in NY
--NY African Film Festival
--Sprout Film Festival
--Tribeca Film Festival
--Urban Visionaries Film Festival


--Bicycle Film Festival
--Bosnian-Herzegovinian Film Festival
--NY International Children's Film Festival
--NY Minute Film Festival
--NY Polish Film Festival
--Pacifika: NY Hawaiian Film Festival
--Sundance at BAM
--Be Film / Tribeca Underground Film Festival

ONGOING --Animation Block
--Asbury Shorts of New York
--Caroline's Funny Film Shorts
--First Sundays Comedy Film Festival

NYC Film Festivals

NYAFF Survey: The City Preps For Pop

(L-R) The pop star/actor Rain and would-be machine Lim Su-jeong in I'm a Cyborg, But That's OK (Photo: NYAFF)

"Proud sponsor" is one of those overused cliches of the arts and culture world, but like all cliches, it usually works because it's true. SO: The Reeler is a proud sponsor of this year's New York Asian Film Festival -- like "really proud," like if I had a respectable kitchen I'd cater lunch for Grady Hendrix and the gang every day for two weeks to pitch in one less thing they'd have to sweat. Or if I had a theater, I'd give it to them for nothing, or more appropriately, "nuthin,' " that absolute evocation of sincerity, respect and gratitude.

Alas, I'm just a boring old sponsor, and as such my interest piques and peaks with each day leading up to the '07 fest's launch this Friday, June 22. I'm not alone, evidently:

--Dave Kehr surveyed the festival line-up in yesterday's Times -- or at least what he could get his hands on. For starters, Exiled is "one of the best Asian films in years," Dasepo Naughty Girls and Memories of Matsuko feature "characters so saccharine that they make the French Amélie ... look like a Kubrick film" and Park Chan-wook's I'm a Cyborg But That's OK is an offbeat, stylish stunner. Agreed on all points, particularly Cyborg's dramatic depictions of how technology that makes us a little happy makes us a lot insane. It's easily 20 minutes too long, but Park's flab is hotter than 90 percent of other filmmakers' muscle, so, you know, fuck it.

--The Post's Vinnie Musetto caught up with Hendrix on Sunday for a fest preview; Cyborg anchors the piece, with Hendrix recommendations like Nightmare Detective and Matsuko following close behind. Musetto also coaxes the sad truth about NYAFF's purging of Bollywood titles: "We're not touching it again after last year [when five were screened]. The movies were really good, but nobody came to see them."

--Over at The IFC Blog, Alison Willmore writes up reviews of Matsuko and the "haunted hair" J-horror spectacle Exte. Willmore traditionally covers the fest as diligently as anybody (though this year it's at IFC Center, so her work is now synergistic and good); keep up with her in the weeks ahead to get a smart glimpse of what's going on.

--He didn't get a lot of room, but Logan Hill contributes a few macro-level notes as well at New York Magazine.

Look back here for coverage of the festival starting Wednesday, when Steve Erickson catches up with Exiled director Johnnie To.

Posted at June 18, 2007 10:38 AM

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